Nadja-Léona, an activated installation performed at the Alliance Française of Melbourne. Dance with video, sound, text, architecture.
Nadja-Léona: concept and direction by Jude Walton with Finnish based performer Gesa Piper, dancers/choreographers: Michaela Pegum, Jo White, Hillary Goldsmith and Arabella Frahn-Starkie, composer/pianist Kym Dillon and artist Eliza Dyball.
Read about Nadja-Léona here at Alliance Française
Below, a few photos and thoughts after viewing the performance:
- by Catherine Schieve
After witnessing this wonderful, luminous work by Jude Walton and collaborators, I am left thinking about many aspects of dance performance that are intimately connected to the performance of ritual and worship. Here are a few jottings: The eloquence of the body in space; the ability of the body to create sacred space and to hold space; the mystery of objects and props, primal forms such as the egg; how text does and does not share meaning with gesture; how (even now!) the female form is rare as the “primary mover” in performance and worship; the beauty and humour of costume and mask; distance created by masking and ritual gestures creates space for meaning and imagination… and how architecture is enlivened by movement; how time perception is changed by witnessing human movement; and the very tangible presences of light and sound.
NOTE: These photos are only from the third, and final movement of the work. The first two movements were completely different, and occupied their own spaces; the first took place as a projection upon a dancer’s bare back. The second movement was in an underground crypt-like space and had a strong component of projected video, live music, and the texture of stone and light.
With thanks and appreciation to Jude Walton and company